Les Machines de L’Île
The fantastical machines created by the imagination of Jules
Verne and brought to life in his writings were given physical form
in the Carrousel des Mondes Marins at Les Machines de L’Île in
Nantes.
There can be little doubt that Verne (or his estate) owns the IP in
the written words and that the creators own the property in their
machines, but what of the daily performances of the creations?
Does the choreography of the mechanical elephant or the motion
of the carousel belong to the operators? The owners of the park?
If the machines could operate themselves through the
application of AI and created a performance, would they own the
rights in the choreography?
The core of the issue is the notion of authorship and the place of
artists, technologists and computer intelligence in the field of
creation.